The Drawn Interval

This installation brings together a wide range of drawings produced through both manual and mechanical processes. Ink, marker, digital print, rubbings, and lithography are layered onto translucent Mylar sheets, allowing images to overlap, shift, and dissolve into one another. The resulting compositions operate as spatial collages, where no single image fully resolves, and meaning emerges through accumulation.
Some elements were drawn by hand in Vienna, while others were generated in advance using a drawing machine or assembled digitally and later cut by hand. This interplay between human gesture and programmed line introduces an interval, between methods, moments, and modes of authorship, where images are both fixed and in flux.
The project is rooted in a personal return. The artist’s decision to work in Vienna was informed by the discovery of an ancestor who was also a painter here. Rather than reconstructing a singular narrative of origin, the work unfolds as a layered encounter between past and present, where forms are carried across time and space and reconfigured in the gallery.
Transparency becomes both material and condition: images remain contingent, shifting with their position, overlap, and the movement of the viewer. Within this field of suspended fragments, the interval itself, between drawing and printing, hand and machine, then and now, becomes the space where the work takes shape.

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